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Buzz: audio and power system model

Rendered from the working notes 02-system-model.md on 2026-10-11.

TRC system model for the channel 2 / channel 20 buzz (1660 9th St, Santa Monica)

Compiled 2026-09-25 from the studio docs site, the electrical project, the manuals archive, memory and tonight's pendant transcripts. Read-only; nothing was changed on any system.

Labels: [F] fact stated in a primary source. [R] reported secondhand (lifelog speech, "X said"). [I] inference by me. Confidence: high / moderate / low.

Path shorthand used below:

Key Path
DOCS /Users/gregspero/trc-studio-docs-site/
ROOMS /Users/gregspero/trc-studio-docs-site/data/rooms.json (Live Room entry, rooms[0])
SYS /Users/gregspero/trc-studio-docs-site/data/systems.json (Studio A subsystems [0] to [10])
PUNCH /Users/gregspero/trc-studio-docs-site/data/punch-list.json
LIVE-MEMO /Users/gregspero/trc-studio-docs-site/ingest/transcripts/live__Live_room_Audio_run_through_.txt
W0611 /Users/gregspero/trc-studio-docs-site/ingest/transcripts/walk0611__*.txt
HIST /Users/gregspero/trc-electrical/out/elijah-electrical-history.md
PLANS /Users/gregspero/trc-electrical/out/plans-electrical-findings.md
HANDOFF /Users/gregspero/trc-electrical/source/imessage/2026-08-03-elijah-studio-grounding-handoff.pdf
DEV /Users/gregspero/trc-electrical/build/devices-private.json
CONN /Users/gregspero/trc-electrical/build/connections-private.json
MAR /Users/gregspero/Documents/Limitless AI/4-6-26 export/data-export_2026-04-07_04-11-54/lifelogs/2026/03/18/2026-03-19_03h59m45s_Discussion-about-electrical-issues-in-a-studio.md
CORE /Users/gregspero/trc-buzz-2026-09-25/source/lifelogs/text/09-26T0314_Nui2i0fR.md (tonight, 20:14 to 21:54 PDT; times below are the transcript's UTC clock)
FU /Users/gregspero/trc-buzz-2026-09-25/source/lifelogs/text/09-26T0458_Wt7Cwygr.md
RT /Users/gregspero/trc-buzz-2026-09-25/source/lifelogs/text/09-26T0304_Qx38Acqa.md
CAT-MAN /Users/gregspero/trc-studio-manuals/radial-engineering-catapult-rx4__24.pdf
GX-MAN /Users/gregspero/trc-studio-manuals/allen-heath-gx4816__23.pdf
SQ-MAN /Users/gregspero/trc-studio-manuals/allen-heath-sq-7__15.pdf
TRI-MAN /Users/gregspero/trc-studio-manuals/trident-audio-developments-trident-88__0.pdf

0. Headline model (read this first)

  1. The Trident and the A&H system share every Live Room input through a passive, galvanic Radial Catapult split. Sources hit the Live Room tie lines, go to Catapult units behind the Trident, and fan out two ways. One leg goes to the Trident; the other rides a Cat5/6 run "through the ceiling" to a second set of Catapults in the mic closet, which feed GX4816 inputs, which feed the SQ-7 over SLink. [F] ROOMS systems[1].signal_flow_steps; LIVE-MEMO lines 113-123; W0611 Help_verify_live_room_2; CORE 03:18-03:21Z. Confidence high.
  2. The Trident is not fed from GX4816 outputs. The GX4816's 16 outputs go only to IEMs, wedges, subs and the center speaker. [F] LIVE-MEMO lines 129-178; ROOMS systems[2]. The only A&H-to-Trident-room audio return is the other direction: Orion #2 monitor out into SQ-7 local inputs 21/22. [F] ROOMS systems[2].signal_flow_steps; SYS [7].components[1].
  3. No transformer isolation is documented anywhere in the split. Alex's "12-channel Cat5/6 analog" unit matches the Radial Catapult Rack, which Radial describes as passive, 12 XLRs in three banks of 4 channels per RJ45, one ground-lift switch per bank, no transformers (isolation only via separate RX4L/TX4M modules). [F] https://www.radialeng.com/product/catapult-rack ; CAT-MAN pp. 2-5, 11. [I] So the Trident's input pin 1 / chassis and the GX4816's input pin 1 / chassis are tied together through every split channel and through the Cat cable shield. Two earthed systems joined by shields is the textbook ground-loop topology. Confidence moderate (the installed variant has not been read off the units).
  4. The building ground the two systems should share is broken. Every orange isolated-ground (IG) outlet tested reads open ground, with neutral-to-ground floating 30 to 60 V. [F] HANDOFF p. 1; chat.db 877629 (quoted in HIST §2). Audio and stage lighting are reported on the same panel. [R] MAR; HIST §2 row 2026-03-16.
  5. Channels 2 and 20 are old news. In March 2026 channels 2, 20 and 22 were "down / crossing"; bypassing the Catapult cleared channel 2. [R] MAR lines 27-39. Tonight the same two channels buzz with no mic plugged in, and pulling the mix-room-to-mic-closet Cat cable or the ch 2 XLR into the GX4816 kills it. [R] CORE 03:20Z-03:40Z, 04:24Z. A fresh temporary Cat run did not fix it. [R] FU 05:00Z.

1. Signal path, end to end (generic Live Room input)

# Hop What the docs say Source Documented?
1 Mic / DI Any source. Drum kit defaults to ch 1-10 on the tie line. Wireless ULXD4 receivers default to XLR ch 29/30. LIVE-MEMO lines 88-89, 79-80; ROOMS systems[0] Yes
2 Input panel Three choices, one per channel number: Live Room wall tie line ch 1-24; stage-left snake behind the truss, XLR 1-24; stage-right snake under the LED wall, ch 25-40. "You can only use one at a time" per number. ISO booth panel = ch 41-48. LIVE-MEMO lines 88-107; ROOMS systems[1].signal_flow_steps[1]; SYS [1].components[0] Yes
3 Panel wiring to the machine room Studio A docs call these "multipin analog tie lines" inline 1:1 to console channels. 1995 plans draw (2) 2" PVC from the Live Room MIC/CUE panel (SE corner) to the console. SYS [1].signal_flow_steps[1]; PLANS §7 "Studio A Live Room"; DEV LR-04 Partly. Snake make, pin-1 treatment and route of the two stage snakes are not documented.
4 Catapult "receive" units, Mix Room, behind the Trident "4 units receive ... and 4 units split (4×12 = 48)". Tonight: "these bottom four racks take that panel, that stage box and the back left stage box. All 48 into the bottom four." ROOMS systems[1]; PUNCH b1; W0611 Punch_list_8; CORE 03:18-03:19Z Partly. How a Catapult "splits" is not documented (see §1a).
5a Split leg A, Trident "The second one [RJ45 on the same row] ... gets sent to the trident." Catapult XLR outs reach the Trident via a multipin the staff call the "DPA snake" (term undefined; possibly DB25 [I, low]). Trident ch n = tie line n. CORE 03:16Z, 03:19Z; SYS [1].signal_flow_steps[1] Partly. Connector type and whether the Trident takes these on its XLR mic inputs or a rear multipin are not documented.
6a Trident 88, 40 ch inline, tracking-only Gain on top red preamp knob, fader at unity, post-fader to Orion #1 (ch 1-32) and Orion #2 (ch 33-48). Phantom per channel, +48 V to the XLR only. SYS [1]; PUNCH c1; TRI-MAN p. ~6 (phantom switch text) Yes
5b Split leg B, Cat cable to mic closet "The first input on the Ethernet ... sent underground here ... up into the ceiling and coming out to the mic closet." Alex: "running through the ceiling." Tonight's staff guessed the runs go via the roof. CORE 03:19Z, 04:24-04:25Z; LIVE-MEMO line 117 Route partly. Length, cable type (shielded or not), termination and what it runs beside are undocumented.
6b Catapult "receive" units, mic closet (4, blue, under the stage box) "The Catapults you see in the mic closet are after the audio was already split in the Mix Room." ROOMS systems[1].signal_flow_steps[4]; W0611 Help_verify_live_room_2; CORE 03:20Z Yes (existence). Per-bank channel map not documented.
7 XLR tails into A&H GX4816 inputs 48 mic/line XLR inputs, per-socket phantom with LED, LED also lights on external phantom above 24 V. 16 relay-protected XLR outs. Earthed IEC mains, 80 W. LIVE-MEMO lines 57-61; GX-MAN pp. 1, 3 Yes
8 SLink to SQ-7 GX4816 "S-Link 96K" over EtherCON to the SQ-7 SLink port (gigaACE/GX protocol, 128×128 at 96 kHz). W0611 Help_verify_live_room_3; SQ-MAN spec table ("SLink ... gigaACE/GX (96kHz devices) 128 input 128 output") Yes
9 SQ-7 FOH console. Main L/R = local out 13/14 to Fulcrum L/R via Crown amp in the Furman rack; Aux 11 center; Aux 10 subs (GX out 14); GX outs 1-8 = 4 stereo PSM900 IEMs; outs 9-16 wedges through a wall hole into the Live Room. Local in 21/22 = Orion #2 monitor out (Pro Tools mix back). Dante port, blue Ethernet, to FOH Mac mini running Ableton. LIVE-MEMO lines 129-200; ROOMS systems[2]; W0611 Help_verify_live_room_6 Yes

DX expander / gigaACE: no TRC document mentions a DX expander, a DX link, or gigaACE hardware in use. The only mentions are the manufacturer data sheets (GX-MAN p. 1 "DX ports for further I/O expansion"; SQ-MAN SLink modes). [F] Greg's "DX expander" is not in any source I read. Treat it as unverified. The inventory also lists a "Live Wire" stage box and an A&H AB168 (dSnake) as alternatives, flagged as a conflict in the June audit. [F] DOCS/AUDIT-FINDINGS.md line 87. Tonight Greg asked for another A&H stage box and was told "we have these stage boxes, but these are not the digital" and "That's not even inventory." [R] CORE 04:28Z.

1a. How the split physically works (reconciliation)


2. What "channel 2" and "channel 20" are physically

Layer Channel 2 Channel 20 Source / status
Input panel Live Room wall tie line input 2, or stage-left snake XLR 2 (same channel number, one at a time) Wall tie line input 20, or stage-left snake XLR 20 [F] LIVE-MEMO lines 88-104
Default source Part of the default drum kit (ch 1-10); which drum mic sits on 2 is not written anywhere No default source documented [F] ROOMS / data/mic-setups.json live-drums ("Default kit on the tie-line (ch 1-10)", channel fields blank). Tonight the buzz is present with nothing plugged in [R] CORE 03:20Z, so the source is irrelevant.
Mix Room Catapult bank Same "route" as channel 1 per Elijah Same "route" as channel 16 per Elijah [R] CORE 04:41Z "16 and 20 are on the same route and one and two are on the same route. One's clean, 16's clean, two's dirty, 20's dirty." [I] On a 12-ch rack with contiguous 4-ch banks, 16 and 20 would be in different banks (13-16, 17-20). Either the banks are not wired contiguously or "route" means something else. Unresolved.
Trident strip Strip 2 Strip 20 [F] inline 1:1, SYS [1].signal_flow_steps[1]
Mic closet Catapult / XLR tail The XLR labelled channel 2 from the mic-closet Catapult into the GX4816 Same for 20 [R] CORE 03:29-03:30Z, 04:24Z
GX4816 input Input 2 (implied by the tail) Input 20 (implied) [I] XLR tails "all labeled ... 1 2 3 4 5 6 7 8, 1 2 3 4 5 6 7 8" per row, not 1-48, and "not all labeled". [R] CORE 04:12Z. GX input number is not confirmed.
SQ-7 channel Soft-patched; not documented Not documented Gap
Orion / Pro Tools track Track 2 via Orion #1 Track 20 via Orion #1 [F] PUNCH c1 (ch 1-32 on Orion #1)

Numbering differences. Trident numbering is 1:1 with the tie lines (1-40, ISO 41-48). [F] SYS [1]. The mic-closet XLR tails restart at 1-8 per row, so "channel 20" at the GX end is a row-and-position label, not a printed 20. [R] CORE 04:12Z. SQ-7 channel numbering is a soft patch of GX sockets and is undocumented. Two other rooms reuse the same numbers for unrelated sources and are not part of this system: Recording Room ch 2 = snare, ch 20 = vocal booth Aphex 2, and ch 19-20 are taped off there [F] DOCS/ingest/rooms-doc/recording_procedures.txt lines 21-30, 55, 73; a Rehearsal Room note says "Never plug into ch 25/26, computer return to console" [F] /Users/gregspero/trc-electrical/source/files/2026-07-21-oracle-rehearsal-ch25-26-note.png (an Oracle answer citing "Rehearsal Room Procedures"; it refers to the rehearsal room's own stage boxes, not the Trident [I, moderate]).


3. Grounding and power

3a. How the audio gear is powered (as documented)

Device Location Power as documented Source Gap
Trident 88, 40 ch Center of Studio A / Mix Room Two silver Trident "Console Power Supply" units under the desk; manual says 40+ channel desks use two PSUs through a combining module. PSU rear has a Star Ground Link; manual recommends star grounding to one "technical earth" and warns that mixing mains earth and a separate technical earth is a shock hazard. SYS [0].components[0-1]; TRI-MAN pp. 27-28 Which outlets or circuit the PSUs plug into; whether the Star Ground Link is strapped or lifted.
Orion #1/#2, Hear Back PRO hub, Ocean Way A-4200, Crest 8001 Studio A racks / under desk "AC mains", no circuit named SYS [0].mermaid, [0].components Circuit, outlet, conditioner.
Catapult racks (Mix Room and mic closet) Behind the Trident; mic closet under the GX Unpowered (passive) Vendor page; CAT-MAN p. 11 Ground-lift switch positions per bank. Thai's crew "pressed a bunch of the ground switches" at install [R] MAR line 39; Elijah tested "with the ground lifts pushed in. Nothing changes." [R] CORE 03:21Z.
GX4816 Back of the mic closet Own IEC earthed mains, 80 W; front-panel power switch GX-MAN pp. 1, 3; LIVE-MEMO lines 57-68 Which outlet. Tonight: buzz persisted with the GX powered off and with power "out entirely". [R] CORE 03:31Z, 04:26Z
SQ-7 FOH (docs place FOH at the mic closet) Earthed IEC, 110 W, switch next to the power cable SQ-MAN spec; LIVE-MEMO lines 70-72 Outlet. Tonight the buzz persisted with the SQ-7 off. [R] CORE 03:31Z, 04:16Z
Furman M-8x² rack Stage right front, next to the "power distributor" One front rocker switches all 9 outlets. Powers Crown amp (Fulcrum mains), 2× ULXD4, 4× PSM900. LIVE-MEMO lines 73-86, 172; W0611 Help_verify_live_room_5; DOCS/data/manuals-rooms.json [15] Which wall outlet feeds the Furman.
3 subs (Live Room) Across the stage Each on its own wall outlet, not the Furman W0611 Help_verify_live_room_5; ROOMS systems[0] Circuits.
FOH Mac mini (Dante/Ableton) FOH Not documented ROOMS systems[2] Everything.

3b. Building electrical as documented

3c. The two files the brief named


4. Floor plan and cable runs


5. Every documented hum / buzz / ground complaint or fix

Date What Source
Install (date unknown) Thai: "an intermittent buzz since the day they set it up"; install crew "pressed a bunch of the ground switches and then it kind of ... magically worked" [F] chat.db 892005; [R] MAR line 39
2024-05-24 Inspector: "outlets that did not have grounding when tested" [F] HIST §2
2024-09 RodCo proposes isolation transformer for stage-lighting distro "noise"; not installed [F] RodCo quote #24
2025-08-29 Greg: Mix Room clients had "buzzing on different channels, a low freq electrical humm on a channel, and some channels not being usable"; Orion #2 cables had fallen out [F] chat.db 833039
2025-10-23 Livestream buzz; Alex: "almost certainly the lights"; later "Should be fixed" [F] HIST §2
2025-12-01 Lobby speaker buzz after Farzad's crew [F] HIST §2
2026-01-22 Every Live Room outlet open ground; QSC sub broken again, "likely cause is dirty power" [F] chat.db 877629; HIST §2
2026-03 (~16th) Channels 2, 20, 22 down/crossing on "half of the console"; ch 2 down "a couple months", 20 and 22 since New Year; bypassing the Catapult "got rid of it" on ch 2; lights and audio on one panel [R] MAR lines 19, 27-39
2026-06-01 Omni piano buzz "solved by simply pushing in the ground lift button on the DI box" [F] chat.db 911261
2026-06-22 Noise on the stage-right snake; moved ports, swapped cables [F] HIST §2
2026-08-03 Handoff: "Loud buzz when phantom power (48V) is engaged, most notably on live-room mic lines"; "Elevated broadband noise floor across all rooms" [F] HANDOFF p. 1
2026-09-04 Rehearsal room: loose PMC/HS8 cables "probably causing some of the electrical hum"; Apollo sharing power with the TV gives "slight digital static" [F] HIST §2
2026-09-09 Greg: "the buzz thing we're having in the live room on a few channels"; lighting breaker turned off at night [F] chat.db 938050, 938079
2026-09-12 Johnny Cesene: "a buzz in channel 26 on the trident" (video IMG_7139.MOV, not downloaded) [F] HIST §2
2026-09-21 Elijah: "Both mixers get clean signals when going direct in, the loop seems to happen when both sides are on ... I don't think it's a pannel or stage box issue." [F] chat.db 941340
2026-09-25 evening Ch 2 and 20 buzz with no mic; ch 1 and 16 clean. Mix room path clean (panel → Catapult → Trident, and panel → QSC bypassing Catapult). Buzz stops when the mix-room-to-mic-closet Cat cable is pulled, or the ch 2 XLR into the GX is pulled. Buzz stays with the SQ-7 off, the GX powered off/unplugged, the SLink pulled, and the Catapult ground lifts pushed in. Catapult line out into a QSC monitor also buzzed with the Cat link connected. Ethernet pin test: first tester unreliable, second tester all green. Temporary new Cat run: "Clean" heard at one point, then "Did this cable fix it? ... No." Staff hypotheses: bad hand crimps (Greg, RT), the ground (Elijah, "telling you bro, it's the ground"), a faulty GX4816 (Greg drafted an A&H replacement request, then "Okay, then it's not the Allen and Heath"). [R] CORE 03:15-04:52Z; FU 04:59-05:05Z; RT 03:05-03:06Z

6. Gaps that matter for a two-channel buzz

  1. Exact Catapult models and wiring. Rack or module; TX, RX, M or L; whether the two RJ45s per row are a plain parallel split; which 4-channel bank carries channel 2 and which carries 20; why Elijah says 1+2 share a route and 16+20 share a route. Nothing documents a per-bank channel map. This decides whether the split is isolated at all.
  2. Ground-lift switch state on every bank, both ends. The install crew changed them by trial; nobody recorded the result.
  3. Pin-1 / shield treatment of the two XLR tails on channels 2 and 20 at both Catapult sets, the "DPA" multipin, and the wall panel. A pin-1-to-shell short or a pin 1/pin 3 swap on one tail would explain two channels only. No continuity test of the XLR tails is recorded (the Cat pin test is not the same thing).
  4. Cat cable type: shielded or unshielded, drain connected at one or both ends, and whether the temporary replacement was shielded. The Catapult manual requires a shielded cable for phantom to pass.
  5. Which outlets and circuits feed the Trident PSUs, the Mix Room rack, the GX4816, the SQ-7 and the Furman, and whether each is an IG outlet, a standard outlet or the stage-lighting panel. No outlet-to-breaker map exists. [F] HIST §5.
  6. Trident Star Ground Link state (strapped or lifted) and whether any technical-earth wire exists from the Mix Room racks.
  7. Phantom state during tonight's tests. Which desk had +48 V on 2 and 20; the GX4816 phantom LED lights on external phantom above 24 V, so it can show whether Trident phantom reaches the GX. The handoff links the buzz to phantom.
  8. What the GX4816 chassis is still connected to when powered off. Its 16 output XLRs go to the Furman-powered Crown amp, IEM transmitters, subs on separate outlets, and wedges; any of those is a ground path. Not tested one by one (tonight's unplug pass was row by row and partly inconclusive).
  9. Physical route of the Cat run and what it passes (lighting feeders, dimmers, the LED wall supply, the stage-light distro).
  10. Mic closet location on the floor plan and the power source inside it.
  11. Stage-lighting system: dimmer packs vs LED; which panel and circuits; whether it shares a neutral with the "Console" panel.
  12. Whether channel 22 (March) and channel 26 (9/12, Trident) are the same fault. Not retested tonight.
  13. The DX expander Greg mentioned: no document places one in the chain.
  14. SQ-7 input patch for GX sockets 2 and 20, and the SQ-7 location relative to the GX.
  15. No ground-impedance, continuity, or voltage-between-chassis measurement has ever been taken (Trident chassis to GX chassis would be the direct test of the loop).